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	<title>Ex Musica</title>
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	<link>https://exmusica.org</link>
	<description>About Classical Music</description>
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		<title>Basso Continuo</title>
		<link>https://exmusica.org/archives/334/basso-continuo</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Sun, 16 Oct 2011 21:15:12 +0000</pubDate>
				<category><![CDATA[Baroque]]></category>
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		<guid isPermaLink="false">https://www.exmusica.org/?p=334</guid>

					<description><![CDATA[<em>Basso Continuo</em> (or <em>thoroughbass</em>) is a well-known term for regular listeners of Baroque music. But, what is actually meant with it, and where does it originate from?]]></description>
		
		
		
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		<item>
		<title>Charles Ives</title>
		<link>https://exmusica.org/archives/316/charles-ives</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Mon, 19 Oct 2009 06:33:46 +0000</pubDate>
				<category><![CDATA[20/21th Century]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=316</guid>

					<description><![CDATA[Charles Ives was not very popular during his lifetime, but nowadays he is considered one of the most important American composers.]]></description>
		
		
		
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		<item>
		<title>Antonio Vivaldi</title>
		<link>https://exmusica.org/archives/301/antonio-vivaldi</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Fri, 02 Oct 2009 03:21:33 +0000</pubDate>
				<category><![CDATA[Baroque]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=301</guid>

					<description><![CDATA[Vivaldi and his music were forgotten for more than a century. He ows his rediscovery to Johann Sebastian Bach.]]></description>
		
		
		
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		<item>
		<title>Van Wassenaer&#8217;s Concerti Armonici</title>
		<link>https://exmusica.org/archives/286/van-wassenaers-concerti-armonici</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Thu, 17 Sep 2009 03:32:13 +0000</pubDate>
				<category><![CDATA[Baroque]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=286</guid>

					<description><![CDATA[The <em>Concerti Armonici</em> by Unico Wilhelm van Wassenar have been attributed to other composers for a long time.]]></description>
		
		
		
			</item>
		<item>
		<title>Dies Irae</title>
		<link>https://exmusica.org/archives/278/dies-irae</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Fri, 04 Sep 2009 03:59:49 +0000</pubDate>
				<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Classicism]]></category>
		<category><![CDATA[Middle Ages]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[Romantic Era]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=278</guid>

					<description><![CDATA[The gregorian sequence Dies Irae has had an enormous influence. Not only as part of the Requiem mass, but also as theme in instrumental compositions.]]></description>
		
		
		
			</item>
		<item>
		<title>The Mass of Tournai</title>
		<link>https://exmusica.org/archives/267/the-mass-of-tournai</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Wed, 02 Sep 2009 06:21:14 +0000</pubDate>
				<category><![CDATA[Middle Ages]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=267</guid>

					<description><![CDATA[The anonymous Mass of Tournai was composed in the fourteenth century, which makes it one of the earliest complete polyphonic masses.]]></description>
		
		
		
			</item>
		<item>
		<title>Franciscus Krafft</title>
		<link>https://exmusica.org/archives/247/franciscus-krafft</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Sun, 30 Aug 2009 02:32:40 +0000</pubDate>
				<category><![CDATA[Rococo]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=247</guid>

					<description><![CDATA[About the 18th century composer Franciscus Krafft.]]></description>
		
		
		
			</item>
		<item>
		<title>Program Music</title>
		<link>https://exmusica.org/archives/220/program-music</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Sun, 30 Aug 2009 02:32:28 +0000</pubDate>
				<category><![CDATA[Romantic Era]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=220</guid>

					<description><![CDATA[About the meaning of the term 'program music'.]]></description>
		
		
		
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		<title>Phaéton by Camille Saint-Saëns</title>
		<link>https://exmusica.org/archives/197/phaeton-by-camille-saint-saens</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Wed, 26 Aug 2009 06:43:54 +0000</pubDate>
				<category><![CDATA[Romantic Era]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=197</guid>

					<description><![CDATA[About Camille Saint-Saëns' symphonic poem <em>Phaéton</em>.]]></description>
		
		
		
			</item>
		<item>
		<title>The Influence of Gregorian Chant</title>
		<link>https://exmusica.org/archives/120/the-influence-of-gregorian-chant</link>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Tue, 25 Aug 2009 02:56:44 +0000</pubDate>
				<category><![CDATA[20/21th Century]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Middle Ages]]></category>
		<guid isPermaLink="false">https://www.exmusica.org/?p=120</guid>

					<description><![CDATA[Western classical music has its roots in medieval Gregorian chant. In later ages, chant remained an important influence.]]></description>
		
		
		
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